Houseboating on the Ozarks Song List
The songs on this album accompany the novel, Houseboating
in the Ozarks, authored by Gary Forrester and published in 2006
by Dufour Editions, Inc., of Chester Springs, Pennsylvania. Each
of the songs was penned by Gary Forrester, and recorded with
his Australian bluegrass band, the Rank Strangers.
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In the Random House publication Australian Country Music,
the history of the Rank Strangers was summarized as follows:
By the time the Rank Strangers were formed in the late
1980s, bluegrass had become an international music tradition.
The Rank Strangers already knew this fact, but it wasn’t really
rammed home until their first album was narrowly beaten in an
international bluegrass “album of the year” competition
in Nashville by a group from Czechoslovakia; in third and fourth
places were bands from France and Italy.
The Rank Strangers produced three award-winning record
albums in the 1980s and 1990s – Dust on the Bible,
Uluru, and Kamara. The most striking aspect of the albums,
apart from their frequency, was the exceptionally high standard
of songwriting. The songs presented here convey a musical
immediacy that typifies the best of bluegrass, and recalls
such founders as the Stanley Brothers and Bill Monroe.
In 1989, the band toured the United States with the high
point being an appearance at the International Bluegrass
Music Association Fan Fest in Owensboro, Kentucky, where
they played alongside bluegrass greats including Alison Krauss,
Jerry Douglas, Ralph Stanley, Peter Rowan, Emmylou Harris,
and Bill Monroe. Enthusiastic reviews for their music have
come from all over the world – including
England, the United States, Germany, and Australia.
Fueled by many of the songs presented here, the novel, Houseboating
in the Ozarks, is a shuffling odyssey through the heart of the
American Midwest - a mini-van road trip to the Ozarks by Christian
Leonard Hooker and his two youngest kids. During the travels,
Hooker confronts his past, imagines his future, and redefines
his love for his children. Or does he imagine his past, confront
his future, and perplex his children? In a circular nine-day
journey, Hooker stumbles through the disjointed epic of his life,
looking in vain for signposts in broken memories of Australia,
Italy, the Caribbean, and the Cheyenne River Sioux Reservation.
But sometimes it takes a crooked path to guide you home. As
it was for T .S. Eliot’s Little Gidding, so it is with
Christian Leonard Hooker: the end of his exploring is to arrive
where he started, and to know the place for the first time. Along
the way, Christian Leonard Hooker, Everyman, is redeemed by his
weaknesses, enlightened by his failures.
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